The movies on this page were rated  or  by Strong Tower Publishing as either clean family entertainment or mostly clean, with very few exceptions.

1/2 Antwone Fisher. Although I cringed at the language a few times in this movie, this is a wonderful film, starring Denzel Washington and Derek Luke. Considering that it takes place on a Naval base, the language is restrained. Derek Luke plays a Naval petty officer, Antwone Fisher, who is sent to the base psychiatrist, Denzel Washington, for an anger problem. At first too angry to admit he needs help, Antwone gradually opens up about a terrible childhood in the foster care system that he has yet to come to terms with. This is an ultimately uplifting film that is written by the real Antwone Fisher, but there are many scenes of child abuse and child sex abuse that are difficult to watch. This is also an emotionally intense film, so personal that even the sweet, tender moments are difficult to watch because it feels as if you are watching over someone's shoulder. But it is impossible to turn away. You fall in love with the characters, and at its core, this is a movie about personal strength, integrity in the face of adversity, and how allowing yourself to become vulnerable can help to make you strong. I could have done without the language and one implied sexual encounter, but the language is mild in the context — and little or none comes from the main characters — and there is no nudity or sexuality portrayed in the film. This is a terrific film for mature Christian audiences that will make you want to go out and love a foster child and bring them into a nurturing home. Rated R for scenes of abuse against children. (Reviewer — H. L. )

Around the Bend. Josh Lucas, Michael Caine, Christopher Walken. Rated R for some early swearing by a crotchety old man (Michael Caine), but otherwise, this is a clean, interesting, and unique story about the difficult relationships between two generations of fathers and sons, their relative degrees of love and estrangement, and ultimately, their need to forgive. Facing his death, Michael Caine¹s character, an anthropologist, concocts a road trip for his "tribe": his son, recently in prison; his responsible grandson, with whom he lives; and his great-grandson, a young boy played with charming honesty by Jonah Bobo. The trip is designed to be a ritual remembrance of the family patriarch, which requires that his surviving generations scatter his ashes at various significant locations throughout the southwest, as they drive from southern California on the way to their final destination in Albuquerque, New Mexico. His instructions also require them to stop at various KFC franchises (he likes their chicken); and yes, it's a "quirky" and sometimes funny, as well as serious, movie. In Albuquerque, Walken and Lucas must confront their hurtful past. This is a small independent film by a first time filmmaker, but nicely made and quietly entertaining, as well as thought-provoking. A nice movie for the right audience. (Reviewer — G. P.)

  The Astronaut Farmer. Billy Bob Thorton. The first surprise about this movie is that it's not a Disney-esque portrayal of a comic farmer in an astronaut suit. Rather, it's a serious drama about a man with a dream, and a family that is being powerfully affected by it. Billy Bob Thorton plays a former military pilot who gave up his training as an astronaut to attend to a family crisis-but never gave up his dream of flying in space. So he builds his own rocket (he's an aeronautical engineer), mortgages his farm to the hilt to pay for it, engages his 15-year-old son to help out, and expects his wife and children to share his vision, no matter the cost to them or the security of his farm. Thorton plays the role with surprising gentleness, while the movie takes on the very real financial and emotional stresses that result, both within his family and the small Western community where he lives. And when the FAA and the FBI get involved, things begin to heat up. Great themes emerge: responsibility to family, marriage, children, vs. the value of having a dream and the determination to pursue it. This is good movie-making all around; there're a few instances of PG-rated language, sufficient for the rating, but otherwise it's "G" all the way. There are also some funny moments, and a number of surprises. Good supporting cast and good family viewing. (Reviewer—G.P.)

Big Fish. This a strange but interesting film. Combine the surreal landscapes of "Edward Scissorhands" and the unusual structure of "Forrest Gump" and you get the general feel of the movie. "Big Fish" is full of tall-tales told by a dying father (Albert Finney) who, as a young man growing up in a small town, had always felt that he was destined for "bigger things." Consequently, in his eyes, the ordinary has been transformed into the extraordinary. His world is inhabited by a great fish, a village giant, Siamese-twin circus performers, a werewolf, a top-secret mission for the military. All of which he uses to mesmerize his listeners as he recounts his fantastical exploits. The only problem: "most of it isn’t true." This disturbs his grown son, who resents his father’s yarns, which, he believes, has served as a cover-up for the real person that the son has never seen or gotten to know. The movie carries us through the latter stages of the father’s life and, by way of flashbacks, through some of the adventures he recounts. Knowing that it’s a Tim Burton film helps to explain the strange environment; but it’s a benign and sadly humorous world, given added interest by the cameo presence of Danny DiVito, who plays a circus Ringmaster with characteristic aplomb. Rated PG-13 for an instance or two of crude vocabulary and some stylized nudity: one view of a young woman seen from the back, standing in a lake; and one of a man, also from the back, standing outside; and a couple of tasteful instances of a woman swimming nude underwater (blurred and seen from a distance). This movie may not be for everyone, but as a quirky love-story and story of family reconciliation, it offers a thoughtful and refreshing change of pace from the usual Hollywood fare. (Reviewer — G. P.)

Bill Cosby: 49. Bill Cosby, funny as always. We may be a little late watching this film, but Cosby's humor about the aging process never gets old. Everybody may laugh at something different, but everyone will laugh. Cosby stays true to his clean, family-oriented humor, although there are a few muffled profanities in the last half of the video that mar an otherwise terrific hour of fun. As always, Cosby leaves you with the lasting lesson: Never take yourself too seriously. Not Rated. (Reviewer — H. L. )

  Blood Diamond

Cast Away. What do you do when your airplane goes down in the middle of the Pacific Ocean and you are washed up on an island, alone, with no survival training and no companionship except a washed-up soccer ball you start calling "Wilson"? Tom Hanks is about to find out. Although it has its darker side, this modern-day version of Robinson Crusoe is entertaining, suspenseful, and well done. Except for one brief and unnecessary outburst, there is no offensive language or content to offend viewers in this emotionally intense film. Certain scenes and subject matter are too intense for young children. Rated PG-13. (Reviewer — H. L.)

1/2 Chocolat. This film is not what you might expect, based on the suggestive trailers. Much of it is exquisitely filmed on location in a small mountain-top village in France. The movie is presented as a “fable,” a timeless story of the conflict between the freedom to experience sensuality — represented by the enjoyment of rich chocolates — and the restraints that come by way of religious institutions and social conformity, represented by the Catholic church. As the conflict plays out, it emerges with sexual overtones, but the theme is handled on a “PG level.” There is one episode late in the film that shows the lead characters going into a dwelling together, where intimacy apparently occurs, although it's not explicitly shown. Some viewers may be offended by the film's clear choice and theme: sensual pleasures are good, repressed sensuality is bad. But the resolution is not so clear cut by the end, as the main character (Juliette Binoche, ) makes a “higher” moral choice, a sacrificial one. In doing so, she breaks free of what once seemed to be her pre-determined destiny. The movie is beautifully filmed, free of offensive language and—but for two instances—of sexuality. A second instance shows briefly a man and woman unclothed in bed and romantically engaged. This is somewhat muted, and is soon over. Otherwise, this is a beautifully filmed, thought-provoking story, told with taste and artistic panache, a thoughtful departure from the typical Hollywood fare of fiery action and empty romantic comedies. Despite the rich “chocolates,” it's a story that sticks with you. (Reviewer — G. P.)

The Constant Gardner.  (R) Ralph Fiennes, Rachel Weisz. This is a tough movie, based on a John LeCarré novel, about a British couple who find themselves caught up in the corruption and violence of an African nation. Fiennes arrives in Africa as a low-level British diplomat; Wiesz as a world health aid advocate. The film pulls no punches and doesn't succumb to a happy Hollywood ending, so be prepared for stark realism--and realistic portrayals of life in a lawless nation where thugs rule and European power and money run roughshod over the morally courageous. There's a good bit of rough dialogue and language early on, and one tasteful bedroom scene between a man and wife. But the R-rating would be appropriate based on the general environment of senseless murder, visual images, and violence as much as from the other content. True to its critical acclaim, however, this is quite a good film, but be sure you're the right audience before watching. (Reviewer — G. P.)

The Core. (PG-13, released 2003) Hilary Swank Stanley Tucci, Aaron Eckhart. Fans of sci-fi and adventure should enjoy this high-energy, high-tech movie about a team of “terranauts” who are sent into the earth's core to try to restore its rotation--and so, save the world from total destruction. Hilary Swank gets the lead role as a NASA pilot who has distinguished herself on a recent Shuttle mission and is selected for her bravery and cool head under pressure. But for one under-the-breath whispered oath very late in the film, this one is exceptionally clean and free of unwanted swearing or sexual innuendo. The scientifically minded will particularly enjoy the techie dialogue and physical challenges that must be spontaneously overcome along the way. Sit back and enjoy the visual ride with this one, in the tradition of “Journey to the Center of the Earth” and “2000 Leagues Under the Sea.” (Reviewer — G. P. )

Double Jeopardy. This is a well-made suspense film that contains very little language or offensive material. It does contain brief nudity and sexual content in the beginning of the film between husband and wife. The plot is based around a woman, played by Ashley Judd, who is framed for killing her husband so he can collect the insurance money. After being wrongfully convicted for his murder, while imprisoned, she learns two things that send her life spinning: that her husband is alive and has betrayed her; and that, because she has already been tried and convicted for killing her husband, she can kill him upon release without facing trial again. Upon release, she sets out to do just that. The theme of this movie is distinctively adult, but the handling of the subject matter is done in a surprisingly tasteful manner. Tommy Lee Jones, the detective out to stop her, is terrific, as usual. Rated R. (Reviewer — H. L.)

Dreamer: Inspired by a True Story.  Kurt Russell, Dakota Fanning, Kris Kristofferson, Elisabeth Shue, David Morse. Even if you aren't  a fan of horse racing, you won't want  to miss this movie. There's a good story here for everyone, young and old. The film explores a number of important issues, including family relationships, the dark side of greed, and overcoming  difficulty in the face of seemingly insurmountable odds—all of which go a long way toward making it more than just another horse story. Yes, it's predictable, but beautifully told, with a strong cast, including Kris Kristofferson, who actually gets more than his usual cameo role; and David Morse (The Green Mile) who plays the villain with his characteristically screen-captivating presence. At times, Dakota Fanning's dialogue is difficult to hear, so be prepared to rewind or turn on the captions. But even so, this is a refreshingly satisfying and enjoyable film. Highly recommended. (Reviewer — G. P.)

Evelyn. (PG, released in 2002) Starring: Pierce Brosnan, Aidan Quinn, Julianna Margulies, Stephen Rea., Alan Bates. Just about everyone should enjoy this treatment of a true story about a father in 1940s Ireland whose children are taken away by the government and who fights to get them back. As a single father who has lost both his job and his wife., he's told he cannot properly raise his three children. Against the odds, however, he decides to “fight Goliath”--the Irish Government and the Catholic Church--and mounts a legal challenge. The movie is a bit slow to get started but finally moves to the courtroom where the battle is fought. Pierce Brosnan, playing the father, is well supported by Anna Margolis, Aidan Quinn, and Alan Bates; and the child-actor Sophie Vavasseur is cute enough to win the hearts of all. Dialogue actually includes quotations from Scripture and discussions of how one should act in view of biblical mandates. The final prayer of Evelyn (Sophie)--whose faith and charity exceeds that of the adults--becomes the clincher for the case, and the film. There's enough dramatic action--and hard-drinking scenes--to keep this from being a Walt Disney trip, but it's an unusually truthful and honest look at what turned out to be a legal case that forced Ireland to change its child-custody laws and to allow many parents to reclaim their children from the Catholic-run government homes where they were being unconstitutionally held. Highly recommended for its thematic and Bible-based treatment of this emotionally compelling story. (Reviewer — G. P. )

Ever After. There is nothing offensive in this audacious romp. You will want to see it more than once, with your kids, your spouse, and even your grandmother. Although it is billed as "a Cinderella story," it a movie to be enjoyed by viewers of all ages. Set in the 1600s, it has a wonderful array of costumes, sword fights, and castles to boot. This love story and adventurous surprises rolled into one is as fun for adults to watch as it is for younger viewers. (Reviewer — H. L.)

1/2  Finding Forrester.  Sean Connery plays a writer in seclusion who befriends a poor young kid from the ghetto who, unbeknownst to his basketball playing friends, is a real English whiz. Connery recognizes the kid's talent and begins to mentor him in a relationship that changes everyone it touches. This was a well done movie, a real pleasure. Smart, funny, and inspiring. However, there are moments of unnecessary profanity that ruin this otherwise wonderful movie. This movie has more than occasional foul language, but the themes of friendship, integrity, and love, combined with a terrific and inspiring plot, make this worth watching for adult audiences. Rated R for language. (Reviewer — H. L.)

1/2 Girl With a Pearl Earring. Based on a novel by Tracy Chevalier, “Girl With A Pearl Earring” imagines the origins of the famous painting of the same name by Dutch artist Johannes Vermeer. This is a beautifully made film featuring Scarlett Johansson (“The Horse Whisperer,” “Lost in Translation”) as a young maid who gets drawn against her will into becoming the subject of Vermeer’s famous portrait. Set in 17th century Holland, the entire film is an extended graphic feast, with sets and lighting that continually remind us that this is about a work of grand artistry. It’s also a story of power and seduction, pitting a lecherous patron of Vermeer against the artist’s desperate need as a painter to support his wife and family. Combining gorgeous cinematography with the quiet drama of desire, this is a compelling story and a pleasure to watch. There’s only one brief scene that might make the most sensitive viewers uncomfortable (showing two people, fully clothed and standing, engaged in a brief scene of what appears to be love-making, though that is left largely to the imagination). Otherwise, it’s completely free of language or other objectionable material. As a counterpoint to Hollywood action films, “Girl With A Pearl Earring” offers an engaging tale about the world of the artist, the making of art, and the hardships of northern European social life during the time of the Renaissance. Rated PG-13 for suggested sexual content. (Reviewer — G. P.)

Hidalgo. Viggo Mortenson, Omar Sharif. Whether actually a true story or based on legend (see “True Story or Tall Tale?” at http://www.thelongridersguild.com/equus-oct.htm),  this is a very entertaining film with no unpleasant on-screen surprises and no bad language. It is a moving story about an epic 3,000-mile horse race across the Saudi Arabian desert, pitting a lone American cowboy and his wild mustang pony against prized Arabian thoroughbreds, racing on their own turf. Viggo Mortenson (of “Lord of the Rings”) plays Frank Hopkins (whose memoirs are the basis for the story), a soft-spoken, self-effacing cowboy, who has turned to long-distance horse racing as a way of escaping the emotional trauma that lies in his past. Omar Sharif is the all-powerful Sheik, who represents an alien Muslim culture that Mortenson must survive, in addition to the extremely hostile desert environment of the race. There’s lots of action adventure to keep this 2+ hour movie going, including several (bloodless) sword and gun battles, horse chases, and bandit attacks. One scene, however, showing a violent injury to a horse would likely be too disturbing for young viewers. Otherwise, sit back and enjoy this completely clean, beautifully filmed story about a valiant little pony named Hidalgo and the man who rides him. PG-13 rated for the action; but more like G for other content.(Reviewer—G. P)

Hitch.  (PG-13).  Will Smith, Kevin James. This is a genuinely funny (and at times very funny) and entertaining movie. Will Smith and Kevin James have great chemistry, as do all the other players in the film. And while it's a predictable comedy-romance, it's told with surprising twists at nearly every turn. It's exceptionally clean, though it does contain a number of instances of crude language, and one of profanity, spoken in the heat of the moment. Otherwise, this is an enjoyable, clever story about a "date-doctor," who coaches insecure, ordinary men by helping them to create opportunities to meet and win the hearts of the women of their dreams. Despite his sophisticated rules of conduct, however, Hitch also needs a "date doctor" by the end of the film, prompting the question, "can the physician heal himself?"  The "prescription," and moral of the story, as it turns out, is simple: just be yourself. Enjoy. (Reviewer — G. P.)

Holes. Based on the popular young people's novel of the same title, the movie lives up to its glowing reviews: A fun, engaging film, clean, and entertaining for a general audience. It's about a work camp for teenage boys who've gotten in trouble with the law, and as their punishment, are set to digging holes in the blazing hot desert in order “to improve their character.” While it seems at first that the plot is going nowhere, perseverance pays off. Just as the movie comes to a close, the pieces of the story fall into place and the story is made complete. (Modest cautions: Some viewers may not like it that initially the plot is based on a family “curse”; there are instances of cruel teasing and arguing among the boys; brief scenes showing bad guys getting shot in a “Wild West” context, and threatening interactions with rattlesnakes and poisonous lizards, but these are likely to be upsetting only to the very youngest of viewers.) John Voight is brilliant as a tyrannical camp enforcer, and Sigourney Weaver is appropriately intimidating as the “warden.” Comical at times, the storyline also offers a bit of drama and a satisfying resolution. Enjoy. Rated PG. (Reviewer — G. P.)

Hoosiers. You may have to dust off the box, but this one's a keeper. Gene Hackman stars in this terrific movie about an ex-college basketball coach who takes on the challenge of whipping into shape the basketball team of a small Indiana high school. In a town in which basketball is all but the local religion, Hackman begins ruffling feathers when he's more interested in teaching discipline and fundamentals than shooting baskets. Complicating matters, he takes under his wing the local basketball enthusiast and town drunk, Shooter (played by Dennis Hopper), the father of one of the boys on the team. There is some mild language, but overall, this is a movie about teamwork, determination, and hope that will leave you cheering. Besides, how can you not root for a team whose bus is driven by the local preacher who hangs a sign over the driver's seat "In case of rapture, this bus will be unmanned"? Rated PG. (Reviewer — H. L.)

1/2 House of Flying Daggers. PG-13. This is a love story, beautifully filmed, with extraordinary visuals, color, and sound. Set in ninth century China, the story pits a young woman, highly skilled in marshal arts, against an ambitious young officer tasked with discovering the hiding place of the rebel group she belongs to, "The House of Flying Daggers." A handsome young man, pretending to be her guardian, and a beautiful young girl presented to him as a blind dancer: put them together on the road of "escape," and the result is, well, rather unpredictable. There's lots of unique, stunningly original marshal arts action, and an engaging story. Be aware, however, that things do get a bit rough at times, as our heroine is forcefully attacked by her admirers; also, that this is not a typical Hollywood  romance. If you don't want to be left feeling sorrowful, don't watch; or, just turn off the sound and enjoy the gorgeous color and novel action sequences. At times, it's a bit too violent and bloody for younger children; best for older ones and adults. Note also that the DVD offers an optional English audio track, eliminating the need for reading subtitles. Unfortunately, however, the dialogue in English is almost comically simple at times, a jarring contrast to the sophisticated visuals of the film. Nevertheless, this is a dramatically different viewing experience, a refreshing change from the average Hollywood fare.   (Reviewer — G. P.)

Ice Age. This is a wonderful film, the kind of movie that's great for the holidays and for (almost) the whole family (young children might be upset by some scenes showing animals in jeopardy). It's very funny at times, with gags going back to the old Roadrunner days; but it's moving, as well. If you just want to kick back and escape into a world of pure entertainment and come away feeling good, this one's for you. Here's the “plot”: three pre-historic animals encounter a human baby on their way “south” during the Ice Age, and set the task of returning it to its human family. Misadventures ensue. There are a couple of references to evolution and "politically correct" values that might make some viewers uneasy, but they are minimal and should be noticed only by adults. Even conservative viewers should see the humor in most of them. Ultimately, the film affirms the value of loyalty and friendship. One of the “extras” on the DVD is the Academy Award winning animated short-film “Bunny,” a beautiful rendering of how an aged “Bunny” passes from this life into the next. The most theologically conservative might object to the story line, which brings her “husband” back as a moth, first to annoy her (it's very funny), then to lead her into eternity. Graphics and sound are “award winning,” as must be said about “Ice Age,” as well. (Reviewer — G. P.)

The Importance of Being Ernest. (PG, 2003) Rupert Everett, Reese Witherspoon, Colin Firth, Frances O'Connor. Based on the play by Oscar Wilde, this is a great romp about bachelors behaving badly, set in Victorian England. An English society bachelor, John, creates a fictitious brother, Ernest, to give him an excuse to leave his country estate and travel to London. There, John dons the persona of Ernest, the name by which he is known to the woman he loves. Upon proposing to her, he put under the microscope by her aunt, who will not let her niece marry him without her approval, and decides that in order to make himself presentable, he must "get rid of" Ernest. The problem, he discovers, is that his fiancé loves the name Ernest and pledges that she would not love him without it. Meanwhile, his friend Algernon discovers that John has a beautiful young charge, Reese Witherspoon, that he hides in the country — away from his rascal us friend — and determines to assume the persona of the fake brother in order to meet her. The antics ensue. This is a wonderful, sweet film, this grow more complicated by the minute. Ultimately, it is not the mistaken identity that unravels the two rascals, but their love for their women, whom they determine to woo back at any cost. This is definitely a "chick flick" with great costumes, subtle wit, and a happy ending. And it has a few twists thrown in to make it even more delightful. Enjoy! (Reviewer — H. L.)

The Interpreter.  (PG-13)  This is a really interesting film, despite its weak reviews. Sean Penn and Nicole Kidman play wounded characters, faced with the imminent assassination attempt of a brutal African dictator. Kidman has grown up in his country in southern Africa, and is working as a translator in at the United Nations. Penn, an FBI agent, has just six weeks earlier lost his wife to another man, who drives her into a bridge abutment and kills them both. This is not your typical action intrigue film: It's not based on physical action, so much as a character study of how each of these characters come comes to know, and eventually, learns to trust each other. Complex relationships between both Penn and Kidman and, reaching back to her youth in Africa where she, along with her brother, for a time took up arms to protest the dictatorship. Old friends are killed, the brother is eventually, we learn, also killed; she decides to take revenge on the dictator who is responsible for the killing of her family and has come to New York to speak before the United Nation. The movie contains good moral lessons along the way about forgiveness, and about how revenge harms the avenger more than the avenged. Very clean, no sexual content; and only one brief outburst of profanity mid-way through; otherwise no bad language. A surprisingly good movie, thoughtful and sensitively made. Don't expect the action to keep you awake, however. But suitable for thoughtful audiences who are willing to follow the progression of the relationship as it grows between these two lonely, wounded human beings.  (Reviewer — G. P.)

Kate and Leopold. Reminiscent of You've Got Mail — a sweet romantic comedy with nothing but the few obligatory profanities to get the rating. This is an absolutely terrific film — less the annoying obligatory words that you could count on one hand — starring Meg Ryan and Hugh Jackman, about a Duke from 1876 who accidentally falls through a hole in the space-time fabric and into the life of Meg Ryan, who plays a high-powered marketing executive unhappy with her life. Jackman's gentility, integrity, and straightforwardness stand out as much in modern-day New York City his attire, and the interaction between new and old is handed with tact, grace, and wit. Unlike other comedies, in which characters of integrity are inevitably worn down by the vulgarity around them, Hugh Jackman's character has a positive (and, hopefully, lasting) impact on everyone around him. A very funny, feel-good movie that is thoroughly enjoyable. (Reviewer — H. L. )

1/2. King Arthur. King Arthur (PG-13)
Drawing on historical research suggesting the legend of King Arthur originates not from the Middle Ages, but rather is based on the leader of a small band of tribal "Sarmatian Knights" during the early 5th century near the time of the fall of Rome, this is a remarkable drama dripping with the trappings of epic big-screen action. Beautifully  filmed,  it portrays King Arthur (Clive Owen) as the son of mixed races, his father, of noble Roman descent and his mother of what would have been at the time, primitive, pagan Britons. Themes of free-will, destiny, and faith drive the plot, which puts Arthur, who prays to God in one scene and talks about his "faith" (never made explicitly Christian) at odds both with his pagan friends and with an unscrupulous bishop of the Catholic church. Arthur has an even more dangerous enemy, however: the brutal, savage race of Saxons, who are invading the shores of Britain. Add the love interest of a beautiful "Guinevere" (Keira Knightley), who turns out to be a fierce warrior princess, and some violent but seemingly true-to-life battles with bloody swords and warrior horses, and you get an intense original film that's compelling to watch. It's not for the feint of heart, however; there's a good bit of graphic battlefield action whose climactic confrontation with the Saxons inevitably leads to the heart-wrenching deaths of some of the knights. A fifth century "Band of Brothers," this is a sobering and original treatment of history, as well as a memorable story, beautifully filmed in wild landscapes with lots of compelling interactions between the characters. There's no swearing; and but one romantic scene, which is brief, and tastefully cut short.  Otherwise, all of the movie's visual stress comes from the dramatic action, while its emotional angst lies in the bravery and sacrifices that the knights make in the interest of defending each other, and, ultimately, the noble goals that their legend is made of.  (Reviewer — G. P.)

Knight's Tale, A. An all-around feel-good movie for adults. The combination of Medieval romp with modern (if secular) music brings you into the mood of the movie (who can beat Heath Ledger, riding into his first jousting match to "We Will, We Will...Rock You"?). There are a few minor exceptions, but for the most part this movie walks the line between terrific Hollywood filmmaking and respect for biblical values. Considering that Heath Ledger also starred in The Patriot with Mel Gibson, an outstanding movie, it was nice to see him continue in this tradition. The character of Ledger's love interest, played by newcomer Shannyn Sossamon, was irritatingly "modern," but nothing (human, at least) is perfect. Characters show love and respect for one another and exhibit genuine integrity, which is rare in any film. If we could have removed one line of dialog and one implied situation, this would have rated two stars. Rated PG-13 for violence, which is appropriate to the context, and brief nudity (but not the nudity you'd expect — and that's all we'll say about that). (Reviewer — H. L.)

Last Brickmaker in America. This CBS production starring Sidney Poitier is an absolute joy from beginning to end. Poitier stars as a 76-year old brickmaker, a recent widower, who is hired by the town school to make 22,000 bricks for the new library where his wife used to work. Things get complicated when the time runs short and the local contracting outfit tries to strong-arm him out of the job. Undaunted, Poitier vows, in honor of his wife, to overcome weather and time and complete the job "one brick at a time." In the process, he brings joy, purpose, and wisdom to a young, hurting boy and his father, the building project manager, who must choose between his family, his marriage, and his job. Not rated. (Reviewer — H. L.)

 The Legend of Zorro. (PG-13)  (4 stars) Catherine Zeta-Jones Antonio Banderas. Critics didn't seem to think much of this film, but maybe because it was clean, simple, and fun. The plot seems a little unlikely, especially at the beginning, but stay tuned, and all is explained. Along the way there are themes exploring of a father's relationship to his son--Zorro's gone too much--and  personal love that is sacrificial in the interest of accomplishing a greater good. Lots of action, and excitement. Good for all audiences. Enjoy. (Reviewer — G. P.)

Luther. Starring Joseph Fiennes ("Shakespeare in Love"), Alfred Molina, and Peter Ustinov, this is a moderately entertaining dramatization of the life of Martin Luther, whose confrontation with the Catholic Church helped bring about the Protestant Reformation. As a young monk, Luther is sent to Rome on a simple errand, but returns feeling revulsion for the corruption he sees there — priests selling indulgences and monks visiting brothels. His response is to post his "95 Theses" on the door of his church in Wittenberg, Germany, challenging the teaching of the Church and putting him in direct conflict with the authority of Rome. In the short context of the film, this sets into motion a civil revolt that results in the death of thousands, and a complete break with the political and religious authority of the Catholic heirarchy. Fiennes' portrayal of Luther, however, is less than spiritual or inspiring; he is shown as early on  being wracked with doubt and insecurity, and later as filled with remorse and petty anger. However, the film does provide a useful introduction to the origins of Protestantism, while offering a visually rich recreation of life in the early 16th Century. With the outcome of the plot not in doubt, there is little true drama, though there are a couple of chilling scenes of Luther standing trial before the powerful bishops who insist that he recant or be put to the fiery stake of the Inquisition. It's a churchly-clean film, suitable for most audiences, though there are some scenes of violence and dead bodies that would be disturbing to younger viewers. Nevertheless, this is pretty good primer on the subject and a reasonably good way to spend an evening of educational entertainment.  (Reviewer — G. P.)

Man on Fire. (Rated R for language and violence)  Denzel Washington, Christopher Walken, Mickey Rourke, Marc Anthony, Dakota Fanning. If you've ever thought revenge should be executed immediately, and not in the future, this movie's for you. However, it's not the macho-Hollywood hero blow-em-up movie you might expect. Loosely based on a true story, the movie portrays a burned-out special-ops, former covert government assassin (Denzel Washington), who now is living on Jack Daniels. Along comes a job as a body-guard for a nine-year-old American girl (played exquisitely by Dakota Fanning) living in Mexico City, where brutal kidnappings are a way of life. Washington's character, "Creasy," takes the job reluctantly and finds his love for the little girl drawing him into a violent journey of revenge when she, too, is kidnapped. In all the years of watching Hollywood movies, I've seen characters even mention the Bible favorably only a handful of times, and this is one of them. Creasy is shown reading from the Bible, seeking from it answers and consolation, and even quoting it from memory, while also encouraging the little girl's mother to read it, too. Yet, he's a man conflicted, believing he may be beyond forgiveness for his past life as a stone-cold killer for the government. This movie takes us on a sometimes violent, brutal journey, yet it is ultimately a journey of redemption. In a couple of heated moments, there is some vulgar language, but it's never gratuitous; the same is true of the violence. Be aware, though, that Creasy violently kills his adversaries on-screen, in cold-blood, and without mercy. Adults looking for a serious, intense action drama will find this a challenging study of a complex man fighting both his own demons and those in the dirty business of kidnapping for profit. Set on location in Mexico, and accurately portraying how this "business" is being done, even today, this film stays with you long after you return it to the video store.  For the right audience, it's a powerful, though troubling journey. But will certainly keep your attention. (Reviewer — G. P.)

The Manchurian Candidate. An update of the 1962 version starring Frank Sinatra, this new Jonathan Demme treatment follows the basic elements of the first, but recasts the story in its own terms. It is quite good, but not for the squeamish. Drawing on the popularity of television’s graphic CSI-style depictions of body-invasive procedures, there are scenes of drilling into skulls, bloody removals of implants, and graphic violence that some viewers may not want to see. Set in contemporary times, Denzel Washington plays the role of a platoon leader doing reconnaissance in Iraq, just prior to the first Gulf War; his squad is attacked and subsequently victimized by a global corporation bent on putting the first mind-controlled president into office, by way of assassination. As disturbing as it is dramatic for its themes of political manipulation, this a well-made film and worth the effort to see, but it’s not light entertainment. Viewers comfortable with current graphic trends in television will be okay with it; those not comfortable with conspiracy theories and the realties of political manipulation may not like the story line. But it is a thought-provoking update featuring single-minded powerful forces that are bent on controlling others in order to achieve their own financial and political gains. Contains a few instances of profanity. Otherwise the truly profane elements derive from the plot itself, which is insidious. Meryl Streep plays the controlling "stage mother" with a twist, adding effectively to the themes of conspiracy and betrayal.  Rated R. (Reviewer — G. P.)

 March of the Penguins. Not rated. Despite all of the wonderful praise for this movie, it's basically just a pretty good nature film, showing the life and death struggles of Emperor penguins living in the Antarctic. Yes, it's well-made and tells a compelling story of the penguins, who must walk up to seventy miles to their breeding grounds, in extremely cold and harsh conditions, and then walk arduously back (sometimes making several trips) to feed their fragile chicks. There's a little sadness in seeing some of the chicks and eggs frozen on the ice, and some drama as the chicks are attacked by aerial predators. But the tension is brief and quite moderate. And life goes on. Perhaps the story itself is so amazing that it can't fully be captured on film, but somehow, this was not such an extraordinary viewing experience that it can stand up to the rave reviews. Rather, it's just a well-made documentary of the annual life-cycle of some pretty extraordinary creatures. (Reviewer — G. P.)

The Missing. Not for the feint of heart, but an unusual and riveting Western featuring sterling performances by Cate Blanchette and Tommy Lee Jones. This is the story of a single mother with two young daughters living in northern New Mexico, whose life is suddenly turned upside down, first by the unexpected appearance of a father who had abandoned her as a child and then by a renegade band of Indians who kidnap the older daughter, intending to sell her across the Mexican border. The kidnappers are lead by a thoroughly evil Apache shaman whose cruelty seems to know no bounds. There are moments of violence and visually graphic injuries that could be upsetting to some viewers, but otherwise this is an intelligent film for adults, described by the film’s director Ron Howard as a "suspense thriller in a Western setting." Authentic dialogue in the Chiracahua language complements the dramatic action and panoramic setting. This is a compelling story of a father and daughter who must come to terms with years of estrangement in the midst of a harsh and brutal drama. Rate R for violent content, though PG-13 would perhaps be as appropriate.  (Reviewer — G. P.)

Mr. and Mrs. Smith  (PG-13)  Angelina Jolie and Brad Pitt. It would be easy not to like this film: Two Hollywood megastars, "hot" subjects of the tabloids and entertainment shows, paired in a film that is transparently designed to ensure box-office sales. And so it is. But it's also a very funny, clever run-up of "spy-vs.-spy" films and a campy, satirical treatment of the big-gun, blow-em-up school of action movie. But you must be patient:. The first half-hour makes it seem as if you've rented  a bad Woody Allen film. The action is framed in the context of marriage counseling sessions for these two professional assassins, who discover each other's professions only after being married for five or six years," and who are using their campy-dull suburban lives as cover for their real-life activities. However, they work for rival companies, which makes them direct  competitors and therefore each other's deadly enemies. Slowly, the story begins to move, and then it's action-central the rest of the way. There's enough sexually suggestive interaction between Jolie and Pitt to explain why they've become a Hollywood couple, but the serious stuff is quickly edited out and left to the imagination. Pitt quietly utters Jesus' name several times, but otherwise the dialogue is clean. This film is probably best for adults who get the in-jokes, can handle a couple of knock-down drag-out fights between the main characters, and who like a lot of firepower, not only at the box office, but also on the screen. Be prepared for unexpected laughs and a lot of silly good fun, as spy-vs.-spy takes on an added Hollywood twist by making the battle of the sexes a literal war..but in a "good way."  Enjoy.  (Reviewer — G. P.)

National Treasure. Nicolas Cage, Jon Voight, Harvey Keitel, Sean Bean. Nicolas Cage has lost his boyish looks and plays a more subdued and vulnerable character, here (think "Nicholas Cage Lite"); but the whole film is a little like that, a lighter version of the standard hard-core PG-13-rated action adventure movie. The plot is simple: a treasure hunter (Cage) and his crew set out to steal the Declaration of Independence in order to save it from Cage's former partner, Sean Bean, who is willing to destroy the priceless document in order to discover its secret map, hidden on the back and, if necessary, to kill those who would get in his way. This is an old-fashioned treasure hunt in a modern guise, though the film still
manages to keep the classic tradition of endlessly burning torches and dark cavernous chambers alive. Beyond the virtue of being a clean, entertaining film, there may also be some real value in sharing this film with the younger generation, who will be exposed to a good deal of talk about our founding fathers and the icons of our national treasures. The story takes us to Washington, D.C., to the Lincoln and Jefferson Memorials, Library of Congress, and the National Archives, where the country's founding documents are housed; and to Philadelphia, the Liberty Bell, Independence Hall, and Trinity Church, which are all part of the trail laid out by the treasure map. In the process, Cage recounts the history and value of the Declaration of Independence; and we get a sense of just how important and valuable it is to our heritage. Still, this is an adventure, set forth since the times of the Knights Templar, and of the early Masons, who for centuries have kept hidden a vast treasure and concealed its location through a line of agents going back to Benjamin Franklin. (While Masonic imagery is used as visual clues throughout the movie, there are no spiritual overtones; just iconography that could have come from anywhere; so those sensitive to Christian issues and Masonic practices won't find any hidden messages here.) Discovering the treasure has been the obsession of Cage's family forebears for generations, though Cage's father, Jon Voight, has by now decided it was all a hoax and has abandoned the search. But does the treasure really exist? Watch to enjoy a clever (and even "educational")  heist/treasure-hunt and adventure film, suitable for old and young alike. (There are guns, bad guys, shootings, and action chase scenes, involved, however, that earn it a PG rating.) (Reviewer — G. P.)

The Notebook (PG-13). Gena Rowlands, James Garner. A love story: Rich daughter takes up with poor boy in the south; their relationship is complicated by her disapproving wealthy parents. She is sent off to college where she meets a young man of means, and must ultimately choose between a life with him and the life of a working man, her first love. Though separated by circumstances and war; she continues to keep a diary; and in old age,  James Garner¹s character reads her life-story back to her to try to help her remember through the fog of her Alzheimer's. This is a nicely constructed movie, but be aware that there are several quite sexually elevated scenes, showing the young lovers' passion for each other. They¹re filmed in good taste, but could be uncomfortable to watch for some viewers and would not be appropriate for children. In other words, despite the appearance of being a film simply about aging adults and their fireside retirement, most of the movie takes place in the early days of the couple's romance and is not shy about making their passion for each other apparent. It is, however, a nicely made film about being true to one's personal values, making hard choices, faithfulness, and the painful reality of facing death in old age. A final caution: several climactic scenes take a sudden and dramatic turn on screen and could be very disturbing to viewers who are experiencing similar situations in their own families. So, despite its critical and well-deserved acclaim, the choice to watch it should be made with this in mind. (Reviewer — G. P.)

October Sky. A thoroughly enjoyable movie. A young boy growing up in a mining town in West Virginia in the 1960s decides to learn to build a rocket after seeing the first U.S. shuttle fly overhead on a crisp summer evening. But how do you learn to build a rocket — let alone come up with the necessary components — to build it in a poor mining town? The main character's vision, dedication, and plans for his future create tension with his father, the foreman of the local coal mine who expects his son to take over after him. From the struggles of growing up in town where all of the men expect to die of black lung disease by the age of 40, to the maturing of relationships among friends and families, to the triumph of accomplishment, it is an entertaining story for adults and children that will leave you cheering at the end. (Reviewer — H. L.)

1/2 Open Range.  Kevin Costner finally stops taking himself so seriously and relaxes into the role of an old-fashioned cowboy, while both directing and starring in this big-sky Western, supported by the flawless performance of Robert Duvall. One caution, however: Duvall’s character uses the Lord’s name in vain a number of times, and even calls God a vulgar name, revealing his bitterness about the death of a murdered friend—and, earlier in his life, the deaths of his wife and daughter. It’s hard to hear, but it’s in character for this man who is living “outside of civilization,” and alienated by the tragic loss of his family. Based on the book, the film slowly works its way into the plot, deliberately prolonging the inevitable “shoot-out at the OK corral” between the open-range cattle grazers and the local land baron out to destroy them. Blend “Legends of the Fall” and “Matewan” and you get the general flavor of the film. And it is violent, though not gratuitously bloody. Still, this is strictly for adults who don’t mind a full-blown, intensely real confrontation between men who shoot each other to death with violence and without mercy. But this is also Hollywood, so along the way Costner falls in love with a beautiful, eligible woman, played by Annette Bening, who, true to the code of the West, is treated with the most gentlemanly respect. Costner’s interactions with her are strictly “G-rated.” A effective blend of the peaceful life on the open range and the violent life in the old West, this is a memorable movie for viewers who can tolerate the prolonged, violent gun battle that is the focus and climax of the film. (Reviewer — G. P.)

The Painted Veil. Based on a Somerset Maugham novel. This is a good film, if rather depressing. A socialite marries a civil servant, a doctor, to spite her mother. He carts her off to remote China/Shanghai to get her away from an adulterous relationship; there, he volunteers both himself and his wife to go to a village suffering from cholera outbreak. Themes of marriage, infidelity, self-sacrifice. But don't expect a happy ending. (Reviewer—G.P.)

The Patriot. Although this movie is rated R, it is a powerful movie that should not be missed by adult viewers. Mel Gibson portrays a colonel during the Civil War who is torn between his duty to serve his country during the Civil war and his intense desire to protect his family after the death of his wife. This movie is strongly supportive of our country's Christian heritage, and biblical values run as undercurrents throughout. The "R" rating comes from the violence, but these scenes are tastefully handled and appropriate in the context of the Civil War. There is one particularly violent scene that, by itself, merits the R rating, but it is brief and not gratuitous. Rated R. (Reviewer — H. L.)

1/2 Pride and Prejudice. (G)  Good for all ages, all audiences. It's Jane Austen, so it begins rather tediously, and the director lingers too long on the early societal settings, but stick with it. The story slowly draws you in to a world of social pride-and prejudice--exploring the deep flaws of a society built on wealth and privilege, where romantic love must be restrained and where women must find a way to survive when they have no means to do so. Good drama. Good lessons. Good film. (Reviewer — G. P.)

 1/2 Proof. (PG-13) Despite being largely overlooked by the awards critics, this is quite a powerful movie, well-worth the cost of a rental. It may, however, leave you a bit unsettled because of the nature and complexity of the story. Based on a Broadway play, the film tells the story of a Chicago-based math genius (Anthony Hopkins) and his daughter (Gwyneth Paltrow), who gives up her life as an aspiring math student to care for her father when he becomes ill with schizophrenia. When the older sister arrives from New York, the fault lines in the foundations of their relationship grow ever wider, complicating an already difficult situation. There are a couple of instances of swearing (uttered well within the context of the heat of the moment) and one muted sexual scene. A companion piece to "A Dangerous Mind," "Proof" is told with intensity and focus and is a thoughtful and satisfying piece of quality movie-making. A good film for the right audience. (Reviewer — G. P.)

Radio. Cuba Gooding Jr., Ed O'Neill, Deborah Winger. This is a wonderful film that will leave you cheering. From start to finish, it's sweet, believable, and completely satisfying. Based on a true story, this is a film about how a retarded boy called "Radio," played by Cuba Gooding Jr., transforms the hearts and minds of an entire community after the local football coach takes him under his wing. The DVD contains scenes on the making of the film that allow viewers to get to know the real Radio, who was brought to the attention of the movie industry by a feature-length story in Sports Illustrated. Some mild swearing, but very minor in the larger scheme of the movie. This is a funny, heart-warming film that affirms what is truly important in life. Wholeheartedly recommended for the entire family. (Reviewer — H. L.)

Remember the Titans. It is rare to find a movie that can be recommended with no reservations. This is such a movie. Denzel Washington plays a black football coach who is unexpectedly transferred to an all-white school during the early days of integration. Not only must he take on the challenge of a formerly all-white team now facing the integration of many black players, but he needs the support of the well-loved former coach who has now been put on the sidelines. Facing opposition from within as well as without, Washington ultimately wins the respect of his team and its former coach with his wit, skill, and integrity. This is a well-made movie. Based on a true story, it is smart and funny, with nothing to offend. Although it is rated PG for language, frankly, I don't remember any. (Reviewer — H. L.)

Runaway Jury. This is a pretty good film. Clean and intelligent, and it will keep you wondering about the outcome until the very end. Based on a John Grisham novel, the movie sets a group of powerful gun manufacturers against a plaintiff whose husband has been killed in an office shoot-out. Though some of it occurs in the courtroom, the real drama takes place outside, where jury selection takes the form of high-tech analysis of each juror’s likelihood of rendering a predictable verdict. When the outcome is in doubt, analysis spills over into sinister intimidation. At the same time, John Cusack and Rachel Weisz are negotiating with both sides, offering to guarantee a verdict to the highest bidder. It’s a complex plot (and sometimes difficult to follow), supported by a great cast and convincing performances from Gene Hackman, Dustin Hoffman, and John Cusack. One warning, however: as tempers flair and in the heat of the moment, there are two or three instances of swearing, and there is a pretty violent fight scene. Otherwise, this is the cleanest dialogue and most sexually-free film you might expect ever to see these days coming out of Hollywood. Sit back with your adult family or friends, and enjoy trying to predict the outcome, yourself! PG 13. (Reviewer – G. P.)

The Rookie. Starring Dennis Quaid. "The Rookie" is a sweet film that is completely supportive of Christian values. Based on a true story, the main character, a husband and father of young children, is a high school teacher and baseball coach who has given up on his hopes of playing in the big leagues after suffering a shoulder injury early in his pitching career. But he is challenged by his players to make a try for it one more time. A good premise, but the movie is slow to get going and get to the final pay-off. Nevertheless, die-hard baseball fans will enjoy it, while the theme that sometimes great dreams can come true is for everyone. With a reconciliation between father and son as a bonus, this is a feel good film suitable for all ages. Rated G. (Reviewer G. P., H. L.)

1/2 Sahara.  (PG-13).  Matthew McConaughey, Penelope Cruz, Steve Zahn. Filmed on location in real desert conditions, the appeal here is to pure action and adventure, with a touch of comedy on the side. Based on a pulp-novel series featuring the action hero "Dirk Pitt," this is a clean film, with no language or sexuality issues. The plot, however, is confused by combining a treasure hunt with an attempt to prevent a global environmental disaster. Oil and water, it doesn't really work. But on the whole, Sahara takes us on a fun ride, in the tradition of Indian Jones and James Bond, with shooting, chasing, and things blowing up. The chemistry between McConaughey and his sidekick, Steve Zahn, is particularly good, though at times their dialogue is a little too silly and simplistic, given the supposed gravity of the situations. Penelope Cruz as a doctor representing the "World Health Organization"  is really a stretch; but the film keeps her on track as a professional woman with a cause, without co-opting her (at least until the very end) as a love interest.  Suitable for all audiences. Enjoy. (Reviewer — G. P.)

Secondhand Lions. Michael Caine and Robert Duvall play aging brothers who unwittingly take in their young nephew, Haley Joel Osment, who has been left on their doorstep by his mother. Living as isolated eccentrics, the relationship between Halley’s great-uncles and the young boy offers a feel-good film that’s entertaining for the whole family. Some of the uncles’  dialogue includes occasional “hells” and “damns,” but not so much as to spoil the overall impact of the movie, which is otherwise clean. There are a few flashbacks portraying action scenes that include sword fighting; and a contemporary “fight” scene, but the feel of the action throughout the film  is geared toward comedy and stylized “ tall-tale-telling.” This is a pretty nice film, set in the open plains of Texas, with a relaxed pace and a subplot involving some hidden money that everyone wants to get a piece of. But essentially, the core of the movie lies in the passing on of the wisdom Duvall has gained from his years as an adventurer in distant lands, conveyed in his “standard speech” about “what young boys need to know.” It’s a moral tale about values, love, and the growth that comes from the shared needs of this odd but entertaining family. Rated PG. (Reviewer — G. P.)

The Simple Life of Noah Dearborne. This is an A+ movie through and through. Noah Dearborne, played brilliantly by Sidney Poitier, has one desire in his life — to live, in peace, in his family's old home outside of town. When a real estate developer targets Noah's land for his development of a shopping mall, Noah stubbornly refuses to give in. The story is endearing and funny, poignant at times, with good performances from all of the actors. This is a movie you will want to watch again and again. (Reviewer — H. L.)

1/2 Spanglish  (PG-13). Adam Sandler, Téa Leoni. This is a surprisingly complex and interesting movie, not just the light-hearted, romantic comedy that might be expected. Adam Sandler  gives a compelling performance as a successful chef and "a really good guy," whose relationship with his wife (Téa Leoni) is in trouble, resulting from the difficulty she's having dealing with the recent loss of her job and her identity as a successful career woman and her aggressive "super-mom" personality. Her teenage daughter suffers most, from Leoni's desire to remake her ordinary-looking, slightly overweight but lovable daughter into a slim, fashion beauty. Throw into the mix a young, beautiful single-mother (Paz Vega), an illegal immigrant from Mexico who arrives in Los Angeles looking for work, but who speaks no English; and put her and her beautiful daughter of the same age as Leoni's, together into this wealthy but troubled household along with the live-in mother (played by Cloris Leachman) and the melting pot begins to boil as the Malibu mom seems to be stealing the little Mexican girl away from her mother, seducing her with expensive gifts and lavish attention. Unfortunately, there is one rather awkward bedroom scene between Leoni and Sandler, where she is shown simulating sexual activity with her husband, though she is still clothed, and the scene is played for comic effect (it's very funny). Otherwise, there's but an instance or two of language that could be offensive to viewers. But for adults looking for an insightful, sensitive treatment of the complex relationships that develop when  these two very different cultures collide, these drawbacks are quite minor. On the plus side: there are truly some important "family values" examined here: Can a child be loved for who she is, not for who the parent would like her to be? Can a rocky marriage, once founded on profound love and affection, survive infidelity and temptation? Can money and the trappings of material success kill the spirit of simplicity and goodness? At the heart of the story, however, is the moral choice Sandler's character must make when faced with acting on his growing affection for his beautiful live-in housekeeper, or whether he must restrain himself and remain true to his marriage in spite of overwhelming temptation. How this volatile mix  plays out makes for an entertaining and thoughtful film, which is also very funny at the most unexpected times. Put your thinking cap on for this one. And enjoy an  couple of hours of quality filmmaking for adults.   (Reviewer — G. P.)

Spider-Man 2. This is good fun, much better as most critics have said, than the first Spider-Man movie. There’s a stronger story line, a conflicted villain, a conflicted hero, and a love story with a rival. The "violence" is too strong for young children, but teens and adults can enjoy the battles between a scientifically created villain/scientist whose designs for good have gone awry and the "flying arachnid," as Peter Parker’s newspaper editor describes the web-throwing superhero. As someone who tried watching the first Spider-Man movie twice, and fell asleep twice due to lack of interest, I must say this one is interesting and attention-grabbing in a way that the first one wasn’t. There’s humor and human drama. It’s clean and entertaining. And expresses some good moral themes along the way. Enjoy. Rated PG-13.  (Reviewer — G. P.)

1/2 Sweet Home Alabama. A young fashion designer leaves her glam life in New York long enough to return to her humble southern hometown to demand a divorce from the husband she had left behind several years earlier in order to gain the freedom to wed a rich, big city socialite who has asked her to marry him. Except for a couple of early instances of using Jesus' name in vain (an obvious and unfortunate ratings ploy), the movie is otherwise very clean and entertaining, featuring predictably quirky Southern eccentrics and rich/poor, city/rural contrasts in a generally non-offensive way. Everyone comes off looking good, except for Candice Bergen, who plays the villain-mother and takes a punch for a good gag-laugh. It may not be the best romantic comedy ever made, but it's largely harmless and entertaining, and leaves you feeling like things have worked out just about as they should. A good “kick-back, popcorn, I'm glad it's Friday” sort of film. Rated PG-13. (Reviewer — G. P.)

The Straight Story. This is a character film, so don't expect a plot, but it maintains a sense of sweetness and honesty from beginning to end. This is the true story of a man, now in his 60s, who gets the news that his brother, whom he hasn't seen in years, has stricken ill. Suffering from various physical ailments and unable to drive, he sets out to visit his brother the only way he can...on his tractor. On his 300-mile trip, he meets up with a wonderful cast of characters. Once you get used to the fact that the plot isn't winding up to major event, you can sit back and enjoy the ride. An enjoyable film, with an endearing spirit. Although it is rated G, it's really for adult audiences...unless you want to put your children to sleep. (Reviewer — H. L.)

Teacher's Pet. Perhaps the answer to today's poor movie selection can be found in the oldies but goodies. This 1958 comedy starring Clarke Gable and Doris Day is smart, witty, and enormously entertaining. Gable plays Jim Gannon, the gruff, old-style editor of a large daily newspaper who is forced to be a guest lecturer at a local journalism class. Gannon, who looks down on academics and is even more needled when he discovers that the instructor is a woman (Doris Day), decides to bail on the lecture and sneak into the class to show her a thing or two. Filed with twists and turns, the hilarious tale that unravels grabs you at the beginning and keeps you marvelously engaged to the end. From a Christian perspective, the martinis are a little too free flowing, and so is the cigarette smoke, but this is an all-around good tale that walks the line between the male chauvinist culture of the 1950s and Christian values. The level of integrity of the characters is extraordinarily high, and in the end, everybody learns a thing or two. Definitely worth the watch. Not rated. (Reviewer — H. L.)

Two Weeks Notice. Hugh Grant and Sandra Bullock. A nice film. Easy to watch, and genuinely clever, at times. Nothing much “happens.” There are no dramatic incidents or crises. Just a story about a young woman who brings her “hippie” protest-childhood values into conflict with the world of a mega-rich corporate developer. Hugh Grant plays the “Donald Trump” role, and serves as the object of her reformist intentions. It's predictable romantic comedy fare, but the dialogue is unusually funny and honest, and the film is paced in a way that distinguishes it pleasantly from television. There is no profanity, no uncomfortable romantic bed scenes. Bullock and Grant have a good rapport and give entertaining performances. Bullock is characteristically awkward and confused and pulls off her pratfalls with comic precision; and Grant is at his self-deprecating boyishly charming best. Rated PG-13, but it's barely PG, and that only because of the general subject matter—two young singles looking for true love in the Big Apple. Credit Hollywood for being able to keep this one clean and not pandering to obligatory bed scenes, though there is a good bit of dialogue that includes comments about sexuality and unmarried relationships. But by television standards, it's extremely modest and tasteful. (Reviewer — G. P.)

Tuck Everlasting. If you could choose to live forever by drinking from the spring of eternal life, would you? That's the premise of this gentle film, bearing the message: “Never having to face death might not be as wonderful as it may seem.” Rated PG, but for most viewers more likely G. Just about everyone but the very youngest in the family can relax and enjoy this dramatic treatment of the book by the same name. Some children, however, might be upset by seeing someone knocked on the head (resulting in his death); and there are several (bloodless) scenes showing people being shot. The events, however, are portrayed with extreme moderation. Otherwise, “Tuck” is guaranteed to spark a discussion of “would you?”—and to offer the opportunity of talking about what it means “to live forever.” Good cast, well-acted, beautiful settings. Generally good family values and a thoughtful theme. (Reviewer — G. P. )

The Wedding Planner. Jennifer Lopez and Matthew McConaughey. This is definitely a "chick flick." Guys, if you want your wives or girlfriends to say "awwwwww," rent this film. The dialog alternates between smart and witty and incredibly corny, but when seen through "chick flick" eyes, it works. Jennifer Lopez plays a wedding planner whose personal life revolves around take-out and watching The Antiques Road Show, whose life is suddenly lit up by a chance encounter with Matthew McConaughey, who saves her life from a runaway dumpster. At first, it seems that all's well that ends well, until Lopez discovers that the man of her dreams is the fiancé of one of her clients. This raises the issue: Should McConaughey marry his fiancé when he experienced feelings for someone else? Or was it just nerves? Despite the light romantic tone of this film, it raises very real issues about love and life — including the issue of arranged marriage — and how one really finds true, lasting love. There are no bad guys in this film. The characters have depth and character, and the issues of love and marriage, and doubts about one's future marriage partner, are handled with grace and respect — even awe. Despite the occasional and unnecessary outbursts of profanity (which you could count on one hand), this is a very sweet and corny film that's worth watching. I had trouble rating this film because it did make light of the use of alcohol, but taken in context, overall, this is a very nice film. It was rated PG-13 but could easily have been PG. (Reviewer — H. L.)

1/2 Whale Rider. Rave reviews for this film may be a little too generous. It's interesting and well made, but not the “Free Willy” fun and uplifting story that the reviewers and cover on the film box might lead you to believe. On the contrary, there's lots of grieving, sadness, and mourning. The story: A young Maori New Zealand girl is a surviving twin, raised by her grandparents. The grandfather is greatly disappointed that she lived instead of the boy, since he was expecting him to be raised as the next tribal leader. Consequently, he rejects his granddaughter's attempts to learn the old ways and to fulfill that role. Set in modern times, there's also a subtext of ancient vs. modern, as the grandfather sets out to restore the ancient tribal traditions among the young boys of the village, who are initially clueless. A stranding of whales brings the plot to a dramatic climax. All ends well, but along the way there's a heart-rending rejection of a young girl who nevertheless continues to love and honor her grandfather in spite of his cruel rejection. Too sad for the younger set, it's definitely not a children's film. The only potentially objectionable content includes a smattering of scatological language and some youthful smoking (and one momentary glimpse of a “bong,” so instantaneous that most people won't even see it). Watch it when you're feeling “up,” to balance the time you'll spend feeling heartfelt sadness on the way to the final resolution of this beautifully filmed but in some ways disturbing film. Rated PG-13. (Reviewer — G. P.)

  Wild Hogs. Tim Allen, John Travolta, Martin Lawrence, and William H. Masey. This is a very funny movie, with belly-laugh inducing gags from start to end. There are, however, a number of instances of crude language and a couple instances of comic-nudity (men seen naked from the back at a swimming hole). There's also a homophobic understory in one section, played strictly for laughs but which could be uncomfortable for some viewers. (But it is quite funny!) This is a Disney-backed film with a large budget; so the visuals are grand and the stunts impressive. Four middle-aged repressed suburbanites from Cincinnati go on a road trip with their Harleys, under their moniker "Wild Hogs." But then they meet the real thing, a tough biker gang led by Ray Liotta that decides to put them in their place. That's the storyline, but the movie is really about comedy, with Tim Allen, John Travolta, Martin Lawrence, and William H. Masey, cracking one funny line after another, even while facing their imminent destruction. If you can set aside some sensitivity to the occasional PG-13 language and situational nudity, then you may find this is one enjoyable road trip, a great escape into a Hollywood fantasy that echoes, at the end, some of the classic Western standoffs between a ruthless gang of raiders and a mild-mannered town whose hero(s) shows up in the end to save them. Be prepared to be surprised and to laugh 'til it hurts. (Reviewer—G.P.)